
Expos & Museums
Konschthal Groovy Thursdays
In the framework of the Project Room _FINAL_FINAL by Jeremy Palluce
Date(s)
Once again this summer, the Konschthal is putting artists in the spotlight with four Groovy Thursdays evenings. Join us on four Thursdays to enjoy art, music, and a festive atmosphere.
Each of these Thursdays will be dedicated to one of the exhibiting artists โ Julien Hรผbsch, Jeremy Palluce, Claudia Passeri, and Letizia Romanini โ with a diverse cultural program specially designed around their artistic universe and the works they are presenting.
On the agenda: guided tours with multiple perspectives, performances, music, multidisciplinary workshops โ all in a relaxed and summery vibe. It's the perfect opportunity to (re)discover the exhibitions by night, between 6pm and 10pm.
๐๐ซ๐จ๐ ๐ซ๐๐ฆ
๐๐ฉ๐ฆ โ ๐๐๐ฉ๐ฆ: ๐ฌ๐จ๐ฎ๐ง๐ ๐๐ง๐ฌ๐ญ๐๐ฅ๐ฅ๐๐ญ๐ข๐จ๐ง ๐ ๐จฬ๐ก๐ง-๐๐ง๐ฌ๐ญ๐๐ฅ๐ฅ๐๐ญ๐ข๐จ๐ง ๐๐ฒ ๐๐๐ซ๐๐ฆ๐ฒ ๐๐๐ฅ๐ฅ๐ฎ๐๐, ๐ซ๐๐ข๐ง๐ญ๐๐ซ๐ฉ๐ซ๐๐ญ๐๐ ๐๐ฒ ๐๐๐ณ๐จ๐จ๐ค๐ ๐๐ซ๐จ๐จ๐ณ๐.
Bazooka Brooze takes over a work by artist Jeremy Palluce at Konschthal.
Titled Fรถhn-Installation (Hairdryer Installation) from 2025, this sound installation features four modified wall-mounted hairdryers designed by the artist himself. Jeremy Palluce integrated speakers into these everyday objects, turning them into unexpected listening devices. Four unreleased tracks by rapper Brooze are played, creating an immersive experience at the intersection of contemporary art and music.
Bazooka Brooze, whose real name is Bruce Biren, comes from Esch-sur-Alzette. He started making music at 16. His early tracks were influenced by gangsta rap and trap, which dominated the rap scene at the time.
Brooze is a wholehearted artist who uses rap as an outlet to channel his moods. He plays with the codes and freedom offered by this genre to express his ideas and thoughts. He addresses themes that resonate with the younger generation: inequalities in the education system, employment, money, drug addiction, and the dangers related to this world.
๐:๐๐๐ฉ๐ฆ โ ๐:๐๐๐ฉ๐ฆ: ๐๐๐๐จ๐ ๐๐ญ๐ญ - ๐โ๐๐ซ๐๐ก๐๐ฌ๐ญ๐๐ซ
With: Yanik Soland, Oskar Szutenberg und Mariana Murcia
Performance around the work Autotune Lectern, 2025
During his eclectic performance DโOrchester, Jacob Ott revisits the artwork entitled Autotune Lectern by the artist Jeremy Palluce, at the Konschthal.
Jacob Ottโs work lies at the intersection of music, space, and collective consciousness. These are not traditional concerts, but site-specific sound and body compositions where the audience, space, and bodies form a temporary orchestra without a conductor. Improvisation is an ethic of attention, not chance.
DโOrchester is a distorted, self-observing collective that decenter the notion of authorship. Space becomes a score, the audience a structural component of the system. This is not participation in a didactic sense but co-presence, irritation, and synchronization. Listening becomes an active form of contributionโthrough silence, glances, and mere presence.
For Ott, performance is an ecological state, not a product. It observes itself being born and makes visible what is usually perceived as neutral: spaces, hierarchies, infrastructures, affects. Nothing is trivial, everything is relational. And sometimes a moment of unexpected clarity and honesty emerges.
๐๐ฉ๐ฆ - ๐๐๐ฉ๐ฆ: ๐๐๐ซ๐๐ฆ๐ฒ ๐๐๐ฅ๐ฅ๐ฎ๐๐ ๐๐ฅ๐๐ฒ๐ฅ๐ข๐ฌ๐ญ
On the occasion of his exhibition at Konschthal, Jeremy Palluce offers a playlist specially curated for the evening.
.Let yourself be carried by the artistโs sonic universe and experience a musical immersion in resonance with his work.
This playlist is created in collaboration with Radio 100,7.
.Free | No booking required.